Blog de littérature contemporaine conçu et rédigé en français ou en anglais.
Blog of contemporary literature conceived and drafted in English or in french ...
UN COURANT LITTERAIRE ... " Résumé de l'article => Dans " La mémoire tatouée ", Abdelkébir Khatibi subvertit le réel en le tressant au rêve, au fantasme et au drame, d’où l’enchâssement de plusieurs genres dans le roman (essai, poésie, théâtre). Essai et roman mettent en scène l’aliénation du colonisé et d’une génération entière, déracinée, et donc rivée à un double langage. La tentative du je consiste à représenter l’intellectuel colonisé pour s’insurger contre sa propre aliénation. L’autobiographie se dit par éclatement et par cris. Son analyse nécessite une bonne connaissance de la trajectoire...
Libres propos de Jean-Yves Tadié sur Marcel Proust
Le référencement SEO a pour but de coller aux attentes des moteurs de recherche, il faut s'adapter et créer son site et ses contenus en fonction des caractéristiques attendus. Les caractéristi...
Proust et la société – Entretien avec Jean-Yves Tadié. Professeur émérite de Littérature à l’université Paris-Sorbonne (Paris IV), Jean-Yves Tadié est un éminent spécialiste et biographe de Marcel Proust auquel il a consacré de nombreux ouvrages ainsi que l’édition de La Recherche pour la Bibliothèque de la Pléiade. Il a publié Proust et la société aux Éditions Gallimard. NP – Vous publiez Proust et la...
Le mythe Au sens étymologique, mythe veut dire parole. Il est un récit fondateur dont ceux qui le rapportent avouent en être les dépositaires et pas les auteurs. C’est un récit anonyme et collectif qui remplit une fonction socio-religieuse. Il sert le plus souvent d’élément de cohésion entre les individus d’un groupe. Le mythe met en scène des personnages le plus souvent surhumains qui ont des pouvoirs surnaturels mais aussi des comportements et des sentiments humains. Le mythe est une parole, une fable qui se réfère à des événements anciens chargés de sens : dans les sociétés primitives, il sert...
IN SUMMER 2022 " NEW PATCHWORK " BECOMES " VIE POLYMORPHE "
All works cited, described on this site are protected by the current legislation on intellectual property.
All works cited, described on this site are protected by the current legislation on intellectual property. All titles and abstracts of works of authors appearing on this site as well as free downloadable E-books are protected by copyright within the meaning of article L. 111-1 of the Code of Intellectual Property. In principle, copyright confers a private property on each owner, enabling him to determine the conditions of exploitation of his work. Infringements of copyright are punishable...
" Of the grey summit of the snowy hill We contemplated the immense white area Of the valley of the big fleshless poplars And high sloping roofs in the white tiles Impressed by the hard rigor of the winter You blotissais you under your thick white coat And you assailed me with your soft bitter glance Soft glance become oblique and attractive Numb by the cold we advanced Slowly the one towards the other one and frankly The senses(directions) in narrow complicity of souls Well then the winter was not any more really the winter We forgot to look at the world To console us with the coolness of the winter...
Things being what they are, as I have the honor To say it to you, I go, sir, In language of real Contesse, to try to put to sleep you By the end of this one. You You will thus remember, if it you The surprise of the druid pleases, When he lives the extraordinary bridge That we avoit built on the riviere. But before passing besides, it is Good to warn you, that in the respect Of the width of this riviere and of The length of the bridge(deck), one you Lied of seven or eight hundred leagues, Both for the rarity of the fact and For the convenience of the rhymes, and That the Lord of Herbay, far To...
Autumn, 1869, October: I three times went to the toilet for this morning of October 4th, 1869. I do not know what arrives at me but I have the impression that there is not season anymore since I am locked into this room in walls papered with books. I am more than a week in search of a text which would have been written by the father of Elise Clermont: he would explain his mysterious disappearance to the public garden of Aubel. I may not refrain from keeping rehearsing the little common event which I lived over there in the last spring. I have a headache and I have a great deal of difficulty in...
We were lengthened on the sand. Our arms seemed flasks, our dead bodies. The salt water licked our feet and ventured up to the thigh. The sky seemed clear. An impressive silence reigned over this beach. Suddenly, a crawling insect risked beginning a gratitude on its body. I woke up slowly, moved by the pleasant vision of the shape of its feminine body. I tried to get up but a pain stopped me. I had a headache, I was thirsty. So much salt water and no drinkable drop! How had I arrived there? Why was not I in the bungalow? Then the memory returned to me. We had left for an aimless expedition really...
Everybody knows that almond trees bloom in spring. Some know that the revolutions are about born in this period of the year. But who knows in this city what arrived at Elise Clermont? Imbecile question I said myself. Nevertheless, to think about it well, I have the impression that the parallel is not ridiculous when I keep rehearsing these memories which haunted my nights of teenager, before I leave to the war to forget everything. This memory nevertheless turned out in time immortal and I realize by writing you that I always saw inside my being the same strange, unusual sensations. I do not manage...
Théâtre A propos du Tit-Coq de Gratien Gélinas Gratien Gélinas est l'auteur de Tit-Coq, pièce de théâtre parue aux éditions Beauchemin de Montréal en 1950. Tit-Coq a été joué pour la première fois le 22 mai 1948 sur la scène du Monument National, à Montréal, dans des décors de Jacques Pelletier, des costumes de Laure Cabana et d'après une mise en scène de l'auteur en collaboration avec Fred Barry. Après la relâche d'été, la pièce continua sa carrière au Théâtre du gesu, où la deux centième représentation fut donnée le 22 mai 1949. Tit-Coq fut le premier grand succès du théâtre québécois. Le public...
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